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Mpoe писал(а): сказал бы раньше - я б вошел в долю наличкой, пока в Москве был )))

Boris_Plotnikov писал(а):Можно глупый вопрос, коллеги? Вы собираете книжки в таком количестве как будто изучили уже все остальные имеющиеся. Я как-то даже бы не скачивал третью часть, я из второй-то только полторы темы поковырял? Или вы все ради минусовок?

The term "power chord" refers to the sonic effect of a harmonic perfect fifth or perfect fourth interval, often being distorted through an overdriven amplifier or an electronic processor such as a fuzz box. Even normally consonant major and minor chords can sometimes sound dissonant and unstable when a high level of distortion is introduced. When minor or major chords are used with distortion, the relative intensities of each note's overtone series combine by non-linear intermodulation to form unpredictable sum and difference frequencies, which results in dissonance. Therefore, rock guitarists often use the power chord because it allows for much greater levels of distortion without causing the inharmonicity that including the third interval played at similarly high distortion levels would. Removing the third from triads to eliminate unwanted sonic effects from distortion has harmonic ramifications, as power chords are ambiguous, having no intrinsic quality, although quality is often implied (see below).